The co-creator and artist of Southern Bastards, Jason Latour, joins us this week to talk about sweet tea, barbecue, logos on clothing, meeting Jason Aaron, dog poop, and so much more! It’s our most Southern episode ever. Plus: More Every Story Ever entries!
The Rundown
- Follow Jason on Twitter!
- Ladies and gentlemen, Sugah Jug.
- Loose Ends isn’t collected in trade yet, but you can pick up all three issues on Comixology.
- If it wasn’t entirely clear, Jason worked on the Vertigo Django Unchained comic adaptation.
- Viva Knievel!
- Go to ComicBookDB.com right now and start cataloguing your comics!
- Chris’ check and rec: Sailor Business, Frankenstein M.D.
- Matt’s check and rec: Copernicus Jones, Journey to Summerslam: The Shield
- Music used: Trippy Wicked, “Southern”
Comics Talked About:
- Multiversity #1
- Batman ’66 #41
- The Delinquents #1
Donate to the Show:
Our rewards for donating are right here!
Shameless Self Promotion:
- For all Chris’ stuff, check out his about.me page!
- For all Matt’s stuff, check out his about.me page!
- Check out all Euge’s music at AdamWarRock.com.
Remember to send in your listener questions to warrocketpodcast at gmail.com!
Leave us reviews on iTunes!
I didn’t have problems reading Multiversity #1. HOWEVER, I realized that because of Morrison’s reputation, people will want to find and understand all the layers that he placed on this comic. To the point that as straightforward as it is, people don’t think it could ever be that simple. They want it to be harder to understand than it actually is.
Also, I think you guys nailed it on how this requires a little more time to read. I read it in a loud comic shop next to a bunch of chatty people. It was hard to focus, so I did have to take more time to read the page, but no one should really have trouble understanding this first issue.
I love Morrison. He’s probably my favorite comic writer. But I completely understand why he loses people. It’s not that the concepts are confusing, it’s that the pacing is.
In the episode, Chris and Matt mention people being confused by Rock of Ages. I was one of them – JLA was my first Morrison comic. And the thing Morrison does is throw plot elements that would be explained across five pages, or a whole issue, in any other comic into a single panel, with maybe a few dialogue balloons to explain it.
In Rock of Ages where Metron shows up in the middle of an unrelated story and sends the heroes on a psychadelic trip through space-time, which we see in disjointed snippets and flashbacks instead of as an actual narrative, to hunt for a thing we have never heard of before, and none of it is explained until a month later. After you know what the Worlogog is, and read the whole story to the end, it makes sense – but when that issue came out it was freaking incomprehensible, to me at least.
Multiversity is like that (and so are a lot of Morrison comics). Once it’s finished and you re-read it, it will all make perfect sense. The first time, there will be whole pages of stuff where you have to just accept that things aren’t really going to make sense yet.
To help Matt out, here is the Every Story Ever list WITHOUT today’s entries:
Amazing Spider-Man #31 -#33 If This Be My Destiny
Batman Year One
Watchmen
All-Star Superman
Gotham Central by Brubaker & Rucka
Supreme by Alan Moore
Daredevil Born Again
the Dark Knight Returns
Hitman
Impulse #3 Mr. Popularity
Fantastic Four #51 This Man, This Monster
Runaways by BKV
NEXTWAVE Agents of HATE
the Life & Times of Scrooge McDuck
Preacher
Punisher Welcome Back Frank
X-Men the Dark Phoenix Saga
Batman RIP
Y: the Last Man
Transmetropolitain
the Great Darkness Saga (LEGION)
Flash: the Return of Barry Allen
Superman: Whatever Happened to the Man of Tomorrow
Superman: the Man of Steel (John Byrne)
Starman (James Robinson)
OMAC 1-8 Jack Kirby
COPRA vol. 1
Batman #156 Robin Dies at Dawn
Superman For the Man Who Has Everything
X-Men Days of Future’s Past
Cosmic Odyssey
Infinity Gauntlet
Thor the Mighty Avenger
Squadron Supreme
Frog Thor
the Last Iron Fist Story (Fraction/Brubaker)
Age of the Sentry
Punisher vs. Archie
Judge Dredd the Apocalypse War
Final Crisis
Secret Wars (1985)
JLA/Avengers
New X-Men: E is for Extinction
Planet Hulk
Persepolis
Planetary
JLA the Nail
the Authority 1-12
DC the New Frontier
Palmiotti/Gray/Conner’s Power Girl
the Mighty Thor-cules
Batman No Man’s Land
Teen Titans the Judas Contract
Joe Kelly’s Deadpool
Marvel’s Godzilla
SMAX by Alan Moore & Zander Cannon
Secret Six
Sea Guy
OMAC 1-8 Giffen/Didio
Superman Red Son
Irreedemable
Power Pack: Thor & the Warriors Four
Pride of Bagdahd
Green Arrow by Brad Meltzer & Phil Hester
the Ultimates by Millar & Hitch
Spider-Man Identity Crisis
Spider-Man 2099
Batman Year Two
Fifty-Two
Green Lantern: Emerald Twilight
X-Men by Stan Lee & Jack Kirby
Marvel Zombies
Batman: Seduction of the Gun
WildCATs 3.0 (Joe Casey)
Wolverine: Old Man Logan
the Sentry
Earth X
X-Tinction Agenda
Maximum Carnage
OMAC by John Byrne
Marvel 1602
Ultimate Galactus Trilogy
House of M
Civil War
Flash Rebirth
Civil War Front Line
Heroes Reborn
the Ultimates 2
Superman/Batman Generations Three
Batman Arkham Asylum OGN
Batman War Games
X-Cutioner’s Song
Spider-Man: One More Day
Supreme Power
New 52 Suicide Sqaud
Spawn/WildCATS Devil Day
All-Star Batman & Robin
Spider-Man Chapter One
Rising Stars
Maximum Cloneage
Batman: Hush
Kick-Ass
Jusitce League: the Rise of Arsenal
Batman the Widening Gyre
Trouble
Justice League: Cry for Justice
Ultimatum
Spider-Man Sins Past
X-Men the Draco
Mar-ville
Identity Crisis
I had SO MUCH FUN listening to this interview–a blast of pure nostalgia for the 16 years I lived in central North Carolina. And your focus on “the logos” gave me a much greater appreciation for how Latour’s depth of backgrounds makes SOUTHERN BASTARDS such a rich comics experience. So thank you guys for that.
AVENGERS ANNUAL 10 directly followed from the events of two issues of MS. MARVEL that were left unpublished when the book was canceled; those were published in the mid-1990s in an issue of (if memory serves) MARVEL SUPER-HEROES. I would rate ANNUAL 10 higher than you guys did because of the glorious Michael Golden art–there was a period in which this was my absolute hands-down favorite art on any comic ever. Golden is largely overlooked these days, which is a real shame–his small body of work was an acknowledged major influence on Art Adams (and thus on Todd McFarlane) and I suspect on Mike Wieringo and Humberto Ramos.
Also, “Michelinie” rhymes with “pickle-my-knee”. Just so’s ya know.
Mystifies me that people are confused by Multiversity.